The colours of Shiva in ‘Solo’: Analysing the role of colour scheme in cinematic - visual storytelling

Authors

  • Harisankar K P,Dr Shemin B Nair

Keywords:

Colour, colour palette, colour scheme, cinematic - visual storytelling, symbolism

Abstract

Solo is a Malayalam language anthology film consisting of 4 segments - each telling its own story. Each of the segments is named after an epithet of Lord Shiva and is assigned a color palette associated with a ‘pancha bhoota’ or ‘constituent elements of the universe’ according to traditional Hindu philosophy. This research paper analyzes the use of 4 distinct color schemes in the film and its intended role in the film’s storytelling.

References

Aryaf Alnasuan, Color Psychology, American Research Journal of Humanities and Social Sciences, Volume 2, 2016; pp:1-6

Patton, M.Q. (2002). Qualitative Research and Evaluation Methods. Thousand Oaks, CA: Sage.

Downe‐Wamboldt, B. (1992). Content analysis: Method, applications, and issues. Health Care for Women International, 13(3), 313–321

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Published

2025-01-22

How to Cite

Harisankar K P,Dr Shemin B Nair. (2025). The colours of Shiva in ‘Solo’: Analysing the role of colour scheme in cinematic - visual storytelling. Journal of Computational Analysis and Applications (JoCAAA), 34(1), 270–284. Retrieved from https://eudoxuspress.com/index.php/pub/article/view/1757

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