Contemporary painting inspired by beliefs and the aesthetics of flower bathing

Abstract

This research objective is tocreate contemporary paintings inspired by the beliefs and aesthetics of the Mandi Bunga, or flower bathing ritual. The study employs qualitative research methods such as documentary search and field data collection, surveys, observation, interviews, and questionnaires. The informantsincludeexperts, professionals, and individuals involved in the practice of flower bathing. This study explores the theoretical frameworks of cultural diffusion, structural functionalism, myth, semiology, and aesthetics to get a deeper appreciation and understanding of flower bathing. These conceptual frameworks guide the development of contemporary paintings that encapsulate the ideology and aesthetics of flower bathing.

The research found out thatThe beliefs in the three southern border provinces can be classified as community beliefs, originating from the collective way of life, culture, religious institutions, lifestyles, treatments, and rituals observed by the people. These beliefs are indicative of the shared values and customs that influence the identity and activities of the group.

The region's religious beliefs are largely Islamic, with the majority of the population identifying as Muslim. However, the area's historical evolution has had a considerable impact on the local belief systems. The people's manner of life emerged as a result of a fusion of beliefs, beginning with the cultural influence of Brahmanism and ancient Hinduism, which were prevalent from the 7th to the 11th Buddhist centuries. Furthermore, Mahayana Buddhism played a significant role during this period. The pervasive influence of Islam during the Buddhist era of the 18th century has had enduring consequences, persistently molding the region's religious landscape to this day. The region's unique rituals and customs demonstrate the fusion of principles that occurred over a period beyond a millennium.

There are two main approaches to understanding the aesthetics of the flower bathing. First, the aesthetics of flower form comprise the flowers' physical attributes, such as shape, structural elements, and color, which highlight the unique characteristics of different flowers. It also includes flower group arrangement, open space use, three-dimensional shape development, and the rhythmic and swaying movements of the flowers throughout the event. Second, the aesthetics of floral beliefs link these visual features to spiritual and artistic refinement, transforming the event from a ritual to a long-standing cultural practice. Contemporary paintings, particularly oil paintings on linen canvas, highlight the relationship between art and belief. The flower bathing tradition inspired 419 pieces of art that represent the ideals and aesthetics associated with flowers. These works convey a deeper understanding of the way of life of the Thai-Malay people in the three southern border provinces.

This research article is part of a doctoral student's research on the beliefs and aesthetics of flowers in the Mandi Bunga, or flower bathing ritual, with the objective of creating contemporary paintings. The student is a participant in the Doctor of Philosophy Program in Culture, Fine Arts, and Design Research at the Faculty of Fine and Applied Arts, KhonKaen University.